Black House Artist is a network dedicated to empowering women artists through exhibition opportunities, professional development, art history education, and creative equality.
Gallery
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Winners of Our Art Calls and Competitions Artwork for Purchase. (Coming Soon)
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Community Events
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Video Community Conversations with Artists and Curators Discussing Themes, Inspiration and Process of our current exhibitions.
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Interviews With Gallery Owners, Curators, Professional Artists, and art scholars.
(Coming Soon)
Education
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-Recommended Books for Art Education and Professional Art Practices
-Art Contracts & Agreements for Professional Artists (coming soon)
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Current Art Call: “Women. Defining Our Representation. ENTER HERE
-Announcements in the Art World
-Articles and Podcasts Concerning the History and Current Concerns for Women Artists (coming Soon)
NEWS
Women Artists Whose Artwork You NEED To See…
Upcoming Online Community Events in 2024
“Why Have There Been No Great Women Artists”
More than 50 years after Linda Nochlin’s Essay, “Why Have There Been No Great Women Artists?” does this question still resonate with contemporary women artists? Is it still necessary to dismantle the presumptions of the question? Is there still systemic failure in fostering the creativity of our young girls in a patriarchal dominated canon?
Artist Discussions - Dates TBA
“What Are The Advantages and Disadvantage of Segmented Curation?
While revisionist curation brings new awareness to the unacknowledged artists who were previously omitted from the traditional art canon, curating shows with segmented areas of focus offers visibility and new perspectives of the marginalized. But does this approach also enforce the narrative that the segmented group lacks the capacity for greatness in and of itself? Does this approach continue to bring awareness or breed resistance?
“The Debate of the Route To Success”
What is the best way to succeed in the art market? Is the traditional gallery model still the highest form of success with its rules and powerful gatekeepers? Does self promotion and the entrepreneurial route of selling your own art allow you more control over your business? Are the disadvantages of appearing to be in competition with gallerists going to prevent you from reaching the pinnacle of critical success?